Amateur theater in a socio-cultural context: the system of relations between the functions of the amateur theater and society
The article examines the peculiarities of the formation and dynamics of the development of theatrical amateur art in Russia. The task is to identify the institutional specifics of amateur theatrical creativity, the principles of forming a modern system of relations between amateur theater and other social institutions. Based on the analysis of theatrical, historical and cultural literature on the research topic, as well as the analysis of research papers and interviews with modern directors, art historians, cultural scientists, statements by government officials on the problem of research and the regulatory framework in the field of theatrical art, the author comes to the following conclusions: 1) having passed the centuries-old path of development, the amateur theater has been formed as a socio-cultural institution that solves socially significant tasks for society, primarily on the education of the individual and its integration into the social environment; 2) the reduction of state influence on the activities of the small stage in recent decades has led to the creation of a new, dynamically developing system of interinstitutional relations between theatrical amateurs and the public.
While nobody left any comments to this publication.
You can be first.
Aleksashin, M. N. (2023), “How the social problems of the village are solved with the help of the theater: a case study of the project “Theater is the heart of the revival of the village””, Upravlenir kul’turoy [Culture management], 2 (6) [Online] available at: https:// https://e.lanbook.com/journal/issue/334868 (Accessed 15 November 2023).
Apfelbaum, S. M. and Ignatyeva, E. L. (2003), Svyazi s obshestvennostyu v sfere ispolnitelskikh iskusstv [Public Relations for the Performing Arts], Klassika-XXI, Moscow, Russia (in Russ.).
Black, S. (1984), Practical Public Relations: Common Sense Guidelines for Business and Professional People. Prentice Hall.
Bonch-Tomashevskiy, M.M. (1912-1913), “Theater of Parody and Grimace (Cabaret)”, Maski [Masks], 5, 25-27 (in Russ.).
Boyadzhiev, T. N. (1974), Dusha teatra [Soul of the theater], Molodaya gvardiya, Moscow, Russia (in Russ.).
Chekhov, М. А. (2009), Put aktera: zhizn i vstrechi [The actor's way: life and meetings], АSТ, Moscow, Russia Current Research
Daushev, D. (2022), “A Brief Introduction to Fundraising”, NKO Kukhnya [onlayn-soobschestvo dlya razvitiya, vdokhnoveniya i vzaimnoy podderzhki v nekommercheskom/blagotvoritelnom sektore], [NPO Kitchen [online community for development, inspiration and mutual support in the non-profit/charitable sector]] [Online] available at: https://ngokitchen.ru/materials/kratkoe-vvedenie-v-fandrajzing/ (Accessed 15 November 2023).
Donova, D. A. (2007), “Theater and audience: strategic foundations of relationships”, Abstract of Ph.D. dissertation, art criticism, Moscow, Russia (in Russ.).
Fischer-Lichte, E. (2020), Znakovyy yazyk teatra [The iconic language of theater], International Theater Agency «Play&Play», St.-Petersburg, Russia (in Russ.).
Grishkina, N. I. (2009), “Sociocultural portrait of the audience of modern amateur theater”, Bulletin of the Buryat State University, 6, 259-262 (in Russ.).
Kanashchuk, T. N. (2013), “Marketing in the field of theater arts”, Omsk Scientific Bulletin, 2, 94-97 (in Russ.).
Khamueva, D. I. “PR technologies in the field of theatrical art” (2023), Aktualnye issledovaniya [Current Research], 3, Part II, 6-8 (in Russ.).
Kopalova, O. S. (2002), “Theater and spectator: institutional aspects of interaction”, Ph.D. Thesis and Abstract of Ph.D. dissertation, sociological sciences, Ural State Vocational Pedagogical University, Ekaterinburg, Russia (in Russ.).
Lyubimov, B.N. (1997), Deystvo i deystvie [Act and Action], Vol 1, Publishing house "YASK", Moscow, Russia (in Russ.).
Pimenova, Zh. V. (2009), “On the issue of assessing the effectiveness of PR activities”, Civil Aviation High Technologies (Nauchnyi Vestnik MGTU GA), 143, 63-67, Russia (in Russ.).
Pitzer, D. E. (2023), “Developmental Communalism into the Twenty-First Century”, The Communal Idea in the 21st Century. BRILL, 33-52, [Online] available: https://brill.com/display/book/edcoll/9789004236257/B9789004236257-s004.xml (Accessed 15 November 2023) (in Russ.).
Pocheptsov, G. G. (2020), Model teatralizatsii Nikilaya Evreinova. Teoriya kommunikatsii [Model of theatricalization by Nikolai Evreinov. Communication theory], ReflBook, Moscow, Russia (in Russ.).
Shalimova, N. A. (2017), “Living "sphere"”, Voprosy teatra [Theater issues], 3-4, 64-74 (in Russ.).
Sharonov, D. I. (2008), “The evolution of the concept of “Publicity” in Russian and Western philosophical thought”, Vestnik Tambovskogo universiteta. Seriya: Gumanitarnye nauki [Tambov University Review. Series: Humanities], 7, 388-342 (in Russ.).
Shulgina, T. M. (2014), “Ways to improve the economic efficiency of theater organizations”, Humanities, socio-economic and social sciences, 3, 337-342 (in Russ.).
Stanislavskiy, K. S. (2013), Moya zhizn v iskusstve [My life in art], Azbuka, St.-Petersburg, Russia (in Russ.).
Varakuta, S. А. (2013), Svyazi s obschestvennostyu: Uchebnoe posobie [Public Relations: Study Guide], LLC "Scientific Publishing Center INFRA-M", Moscow, Russia (in Russ.).
Zashchepkina, V. V. (2012), «Theatre as a special type of communication», Scientific Journal of KubSAU, 84 (10), 1-10 (in Russ.).