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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2408-932X</journal-id><journal-title-group><journal-title>Research Result. Social Studies and Humanities</journal-title></journal-title-group><issn pub-type="epub">2408-932X</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413/2408-932X-2017-3-1-25-34</article-id><article-id pub-id-type="publisher-id">1080</article-id><article-categories><subj-group subj-group-type="heading"><subject>RESEARCHES</subject></subj-group></article-categories><title-group><article-title>SPECIFICS OF NATIONAL MUSICAL CREATIVITY OF KOSOVO AND METOHIJA AND THE IMPORTANCE OF ITS USE IN PRIMARY SCHOOL TEACHING OF MUSIC CULTURE</article-title><trans-title-group xml:lang="en"><trans-title>SPECIFICS OF NATIONAL MUSICAL CREATIVITY OF KOSOVO AND METOHIJA AND THE IMPORTANCE OF ITS USE IN PRIMARY SCHOOL TEACHING OF MUSIC CULTURE</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Pavlović</surname><given-names>Biljana Miomir</given-names></name><name xml:lang="en"><surname>Pavlović</surname><given-names>Biljana Miomir</given-names></name></name-alternatives><email>biljana.pavlovic@yandex.ru</email></contrib></contrib-group><pub-date pub-type="epub"><year>2017</year></pub-date><volume>3</volume><issue>1</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/humanities/2017/1/25-34.pdf" /><abstract xml:lang="ru"><p>The paper uses analytical methods to discuss the specifics of national musical creativity of Kosovo and Metohija, as well as the educational significance and meaning of its use in primary school teaching of music culture. It examines the specifics of traditional folk songs and dances, as well as traditional musical instruments typical of this area. It points to the possibility and the need to use the contents of musical folklore of Kosovo and Metohija in the teaching process. When carefully selected and used in the classroom, these contents can be the foundation on which a teacher can confidently build a sense of national belonging, educate musical taste and foster ethical values. The use of musical folklore of Kosovo and Metohija has enormous pedagogical and national significance in working with students who live in enclaves in the province of Kosovo and Metohija. By applying its contents in the conditions specific to the life of the Serbian people in Kosovo and Metohija, pupils form notions of continuity and rootedness of the Serbian entity and tradition in this environment, developing a sense of belonging to the state and nation, patriotism and love towards the homeland. Thus we provide a strong moral support to the Serbian population living in the province, strengthening their will and the desire to stay and survive in these areas. The paper lists ethnomusicological and musical-pedagogical literature suitable for use in elementary school, which deals with national musical creativity of Kosovo and Metohija.</p></abstract><trans-abstract xml:lang="en"><p>The paper uses analytical methods to discuss the specifics of national musical creativity of Kosovo and Metohija, as well as the educational significance and meaning of its use in primary school teaching of music culture. It examines the specifics of traditional folk songs and dances, as well as traditional musical instruments typical of this area. It points to the possibility and the need to use the contents of musical folklore of Kosovo and Metohija in the teaching process. When carefully selected and used in the classroom, these contents can be the foundation on which a teacher can confidently build a sense of national belonging, educate musical taste and foster ethical values. The use of musical folklore of Kosovo and Metohija has enormous pedagogical and national significance in working with students who live in enclaves in the province of Kosovo and Metohija. By applying its contents in the conditions specific to the life of the Serbian people in Kosovo and Metohija, pupils form notions of continuity and rootedness of the Serbian entity and tradition in this environment, developing a sense of belonging to the state and nation, patriotism and love towards the homeland. Thus we provide a strong moral support to the Serbian population living in the province, strengthening their will and the desire to stay and survive in these areas. The paper lists ethnomusicological and musical-pedagogical literature suitable for use in elementary school, which deals with national musical creativity of Kosovo and Metohija.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>national musical creativity</kwd><kwd>Kosovo and Metohija</kwd><kwd>primary school</kwd><kwd>teaching music culture</kwd></kwd-group><kwd-group xml:lang="en"><kwd>national musical creativity</kwd><kwd>Kosovo and Metohija</kwd><kwd>primary school</kwd><kwd>teaching music culture</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Arsic,&amp;nbsp;N. Some Features of Singing in Ibarski Kolasin. (in Serb.) Bulletin, Bashtina [Heritage]&amp;rdquo;. Pristina: Institute for the Study of Culture of Serbs, Montenegrins, Croats and Muslims. Sv.&amp;nbsp;4th. 1993. Pp.&amp;nbsp;131-141.</mixed-citation></ref><ref id="B2"><mixed-citation>Arsic,&amp;nbsp;N. Vučarski Ritual in Sredačka. (in Serb.) 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