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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2408-932X</journal-id><journal-title-group><journal-title>Research Result. Social Studies and Humanities</journal-title></journal-title-group><issn pub-type="epub">2408-932X</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413 /2408-932X-2015-1-2-39-46</article-id><article-id pub-id-type="publisher-id">131</article-id><article-categories><subj-group subj-group-type="heading"><subject>RESEARCHES</subject></subj-group></article-categories><title-group><article-title>FAMILY PORTRAIT: EXISTENTIAL OUTLINES AND THE CULTURAL MEANINGS</article-title><trans-title-group xml:lang="en"><trans-title>FAMILY PORTRAIT: EXISTENTIAL OUTLINES AND THE CULTURAL MEANINGS</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Syamina</surname><given-names>Olga V.</given-names></name><name xml:lang="en"><surname>Syamina</surname><given-names>Olga V.</given-names></name></name-alternatives><email>sov_tlt@mail.ru</email></contrib></contrib-group><pub-date pub-type="epub"><year>2015</year></pub-date><volume>1</volume><issue>2</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/humanities/2015/2/Syamina.pdf" /><abstract xml:lang="ru"><p>In modern Russia, which is in the situation of self-determination and strategic guidelines choice, the problem of historical memory has acquired the special significance. The awareness of continuous (attribute) relation with culture and memory is kept current by the question of what are the ways and specific forms of its existence.
The given article reflects the problem of scientific research. The aim is to identify the existential status of the family, its role in maintaining and transmissing of cultural memory in different ranges: the family – clan – nation – Motherland.
The study  integrates various social and human cognitive practices, applies modern methodological principles and approaches which are developed in the framework of  philosophy of culture, cultural sociology, visual anthropology, hermeneutics, semiotics. The author pays considerable attention  to the religious and philosophical traditions of the second half of XIX - early XX centuries.
The identity of portrait eventness is associated with dialogic identity of the person in the "long time of culture," personal knowledge which is in the historical memory of the family, clan or nation. The existential portrait contours  as a cultural event may be represented by the social and historical categorical forms.  The concept of family and family related concepts such as "patrofication" (Nikolai Fedorov), "face", " clan entelechy", " race "," nobility "," sonship "(Pavel Florensky) are the most promising.</p></abstract><trans-abstract xml:lang="en"><p>In modern Russia, which is in the situation of self-determination and strategic guidelines choice, the problem of historical memory has acquired the special significance. The awareness of continuous (attribute) relation with culture and memory is kept current by the question of what are the ways and specific forms of its existence.
The given article reflects the problem of scientific research. The aim is to identify the existential status of the family, its role in maintaining and transmissing of cultural memory in different ranges: the family – clan – nation – Motherland.
The study  integrates various social and human cognitive practices, applies modern methodological principles and approaches which are developed in the framework of  philosophy of culture, cultural sociology, visual anthropology, hermeneutics, semiotics. The author pays considerable attention  to the religious and philosophical traditions of the second half of XIX - early XX centuries.
The identity of portrait eventness is associated with dialogic identity of the person in the "long time of culture," personal knowledge which is in the historical memory of the family, clan or nation. The existential portrait contours  as a cultural event may be represented by the social and historical categorical forms.  The concept of family and family related concepts such as "patrofication" (Nikolai Fedorov), "face", " clan entelechy", " race "," nobility "," sonship "(Pavel Florensky) are the most promising.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>family portrait</kwd><kwd>clan</kwd><kwd>birthplace</kwd><kwd>family</kwd><kwd>genealogy</kwd><kwd>generations interaction</kwd><kwd>traditions</kwd><kwd>historical memory</kwd></kwd-group><kwd-group xml:lang="en"><kwd>family portrait</kwd><kwd>clan</kwd><kwd>birthplace</kwd><kwd>family</kwd><kwd>genealogy</kwd><kwd>generations interaction</kwd><kwd>traditions</kwd><kwd>historical memory</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Andrei Osipovich Karelin. The Artistic Heritage. Comp. Semenov,&amp;nbsp;А.А., Khorev,&amp;nbsp;М.М. Nizhny Novgorod: Volgo-Vyatskoe knizhnoe izdatel&amp;rsquo;stvo, 1990. 300&amp;nbsp;p.</mixed-citation></ref><ref id="B2"><mixed-citation>Andronikova,&amp;nbsp;М.I. On the Art of Portraiture. Moscow: Iskusstvo, 1975. 328&amp;nbsp;p.</mixed-citation></ref><ref id="B3"><mixed-citation>Andronikova,&amp;nbsp;М.I. Portrait. From Cave Paintings to the Sound Film. Moscow: Iskusstvo, 1980. 436&amp;nbsp;p.</mixed-citation></ref><ref id="B4"><mixed-citation>Antonenko,&amp;nbsp;S. &amp;laquo;Their Memory Is For Generation...&amp;raquo;. Rodina. №&amp;nbsp;7. 2005. Pp.&amp;nbsp;64-71.</mixed-citation></ref><ref id="B5"><mixed-citation>Artemieva,&amp;nbsp;L.S. &amp;laquo;Note the Change in My Face&amp;raquo;: a Man and His Face in the National Culture of the Second Half of the XVIII Century. Problems of Research. The Choice of Method: The Study of Russian Culture of the 1990s. Ed. by G.I.&amp;nbsp;Zvereva. Moscow.: Publishing house of RSUH, 2001. Pp.&amp;nbsp;130-138.</mixed-citation></ref><ref id="B6"><mixed-citation>Vasily Andreevich Tropinin. Researches. Materials. Ed. by М.М.&amp;nbsp;Rakova. Moscow: Izobrazitelnoe iskusstvo, 1982. 248&amp;nbsp;p.</mixed-citation></ref><ref id="B7"><mixed-citation>&amp;laquo;For Progeny Memory&amp;hellip;&amp;raquo; People Home Portrait in Russia. Comp. N.&amp;nbsp;N.&amp;nbsp;Goncharova, N.&amp;nbsp;A.&amp;nbsp;Perevezentseva and others. Moscow: Galaktika Art, 1993. 272&amp;nbsp;p.</mixed-citation></ref><ref id="B8"><mixed-citation>Evangulova,&amp;nbsp;O.S. and Kareva,&amp;nbsp;А.А. Portraiture in Russia in the Second Half of XVIII Century. Moscow: Moscow State University Press, 1994. 200&amp;nbsp;p.</mixed-citation></ref><ref id="B9"><mixed-citation>Zinger,&amp;nbsp;L.S. Essays on the Theory and History of a Portrait. Moscow: Izobrazitelnoe iskusstvo, 1986. 328&amp;nbsp;p.</mixed-citation></ref><ref id="B10"><mixed-citation>Portrait of a Russian Painting XVII &amp;ndash; the First Half of the XIX Century. Album. Comp. А.&amp;nbsp;B.&amp;nbsp;Sterligov. Moscow: Goznak, 1986. 150&amp;nbsp;p.</mixed-citation></ref><ref id="B11"><mixed-citation>Rozanov,&amp;nbsp;V.V. Family Question in Russia. Ed. А.&amp;nbsp;N.&amp;nbsp;Nikoliukin. Moscow: Respublika, 2004. 832&amp;nbsp;p.</mixed-citation></ref><ref id="B12"><mixed-citation>Syamina,&amp;nbsp;O.V. Metaphysics of Generation. P.A.&amp;nbsp;Florensky&amp;rsquo;s Genealogical Concept. Phenomenology of Russian Manor. Saratov: Saratovsky istochnik, 2007. Pp.&amp;nbsp;16-22.</mixed-citation></ref><ref id="B13"><mixed-citation>Florensky,&amp;nbsp;P.A. To My Children. Memories of Past Years. Genealogical Research. From Solovetsky Letters. Testament. Moscow: Moskovskiy rabochiy, 1992. 560&amp;nbsp;p.</mixed-citation></ref><ref id="B14"><mixed-citation>Florensky,&amp;nbsp;P.A. Works. In 4 Volumes. Vol.&amp;nbsp;3(2). Moscow: Mysl&amp;rsquo;, 2000. 623&amp;nbsp;p.</mixed-citation></ref><ref id="B15"><mixed-citation>Florensky,&amp;nbsp;P.A. The Philosophy of the Cult (The Experience of Orthodox Anthropodicy). Moscow: Mysl&amp;rsquo;, 2004. 685&amp;nbsp;p.</mixed-citation></ref><ref id="B16"><mixed-citation>Yaroslavl Portraits of XVIII-XIX Centuries: Yaroslavl, Pereslavl, Rostov Yaroslavl, Rybinsk, Uglich. Comp. and Entrod. by I.&amp;nbsp;N.&amp;nbsp;Feodorova and S.&amp;nbsp;V.&amp;nbsp;Yamschikov. Moscow : Izobrazitelnoe iskusstvo, 1984. 36&amp;nbsp;p., [132]&amp;nbsp;fig.</mixed-citation></ref></ref-list></back></article>