2408-932XResearch Result. Social Studies and Humanities2408-932X10.18413/2408-932X-2018-4-3-0-41507RESEARCHESSERBIAN DANCES FROM THE OEUVRE OF JOSIP SLAVENSKISERBIAN DANCES FROM THE OEUVRE OF JOSIP SLAVENSKIIlićDanijelaIlićDanijeladanijelailic1@yahoo.comPetrovNataša NagorniPetrovNataša Nagornidanijelailic1@yahoo.com20184300

The oeuvre of Josip Slavenski contains certain staves existing in larger, cyclical compositions and known as Srpska igra (Serbian Dance). This paper is an attempt to examine whether they contain the identical or just similar thematics, whether the same formal pattern was applied in all staves with this title, as well as the origin of this thematics in case it is novel. The comparative analysis applied in this paper contributes to the realisation of the way in which the composer expressed the Serbian folklore origin of the thematics and to what extent it influenced the choice of the formal framework, its structure and adequate harmonic and polyphonic solutions.

The oeuvre of Josip Slavenski contains certain staves existing in larger, cyclical compositions and known as Srpska igra (Serbian Dance). This paper is an attempt to examine whether they contain the identical or just similar thematics, whether the same formal pattern was applied in all staves with this title, as well as the origin of this thematics in case it is novel. The comparative analysis applied in this paper contributes to the realisation of the way in which the composer expressed the Serbian folklore origin of the thematics and to what extent it influenced the choice of the formal framework, its structure and adequate harmonic and polyphonic solutions.

thematicsformfolkloreoriginharmonic and polyphonic solutionsthematicsformfolkloreoriginharmonic and polyphonic solutionsСписок литературыAndreis, J. (1989), Povijest glazbe, Povjest hrvatske glazbe [History of Music, History of Croatian Music], IV knjiga, Sveučelišna naklada liber, Zagreb, Croatia.Grujić, S. (1984), Orkestarska muzika Josipa Slavenskog [Orchestral music of Josip Slavenskog], Beograd, Udruženje kompozitora Srbije, Beograd, Serbia.Sedak, E. (1984), Josip Štolcer Slavenski, Skladatelj prijelaza [Josip Štolcer Slavenski, Composer of the Transition], knjiga Muuzički Informativni Centar Koncertne direkcije Zagreb i Muzikološki Zavod Muzičke akademije Sveučilišta u Zagrebu, II, Zagreb, Croatia.Veselinović-Hofman, M. …(comp.) (2007), Istorija srpske muzike, Srpska muzika i evropsko muzičko nasleđe [History of Serbian music, Serbian music and European musical heritage], Marinković, S, Muzika u XIX veku i prvoj polovini XX veka [Music in the XIX century and the first half of the 20th century], Zavod za udžbenike, Beograd, Serbia.Živković, M. (2014), Interakcija muzike i vremena [The interaction of music and time], zbirka tekstova, Fakultet muzičke umetnosti, Univerzitet umetnosti u Beogradu, Beograd, Serbia.