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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2408-932X</journal-id><journal-title-group><journal-title>Research Result. Social Studies and Humanities</journal-title></journal-title-group><issn pub-type="epub">2408-932X</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413 /2408-932X-2014-1-2-42-51</article-id><article-id pub-id-type="publisher-id">154</article-id><article-categories><subj-group subj-group-type="heading"><subject>RESEARCHES</subject></subj-group></article-categories><title-group><article-title>THE STRATEGIES OF DESTRUCTIVENESS IN THE SILVER AGE OF RUSSIAN LITERATURE: THE SOCIAL AND HUMANITARIAN ASPECTS</article-title><trans-title-group xml:lang="en"><trans-title>THE STRATEGIES OF DESTRUCTIVENESS IN THE SILVER AGE OF RUSSIAN LITERATURE: THE SOCIAL AND HUMANITARIAN ASPECTS</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Kolesnikov</surname><given-names>Sergey A.</given-names></name><name xml:lang="en"><surname>Kolesnikov</surname><given-names>Sergey A.</given-names></name></name-alternatives><email>skolesnikov@bsu.edu.ru</email></contrib></contrib-group><pub-date pub-type="epub"><year>2014</year></pub-date><volume>1</volume><issue>2</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/humanities/2014/2/Kolesnikov.pdf" /><abstract xml:lang="ru"><p>The article covers the main alternates of destructive strategies implemented by the Russian literature in the XIX–XX centuries for the reader's consciousness in particular, and the ethnic culture as a whole. Methodologically the article is based on the interdisciplinary links between philosophy, cultural studies, and the theory and study of literature, using recipient theories of consciousness and the effect of external, in this case literary factors, the mental presentation of auto-sphere of human consciousness, as well as using the basic concepts of the ontology of destructiveness.
The research resulted in the identification of the basic mechanisms of the destructiveness developed when affecting the reader's consciousness in the perception of the Silver Age literature. The use of the results is possible in the construction of theoretical and methodological models of readers' consciousness, as well as when creating effective mechanisms against destructive tendencies in the field of verbal-based culture.
As a conclusion, we can determine the unmasking of leading strategies aimed at the destruction of current personal values. These strategies may include the strategy of the overinformation of readers’ consciousness, the churning of adequate reception of consciousness, the "the quick" and “the dead” mixing in the perception of the reality and others. It is the implementation of these destructive strategies that can be considered as one of the causes of the cultural disaster in Russia in the early 20th century.</p></abstract><trans-abstract xml:lang="en"><p>The article covers the main alternates of destructive strategies implemented by the Russian literature in the XIX–XX centuries for the reader's consciousness in particular, and the ethnic culture as a whole. Methodologically the article is based on the interdisciplinary links between philosophy, cultural studies, and the theory and study of literature, using recipient theories of consciousness and the effect of external, in this case literary factors, the mental presentation of auto-sphere of human consciousness, as well as using the basic concepts of the ontology of destructiveness.
The research resulted in the identification of the basic mechanisms of the destructiveness developed when affecting the reader's consciousness in the perception of the Silver Age literature. The use of the results is possible in the construction of theoretical and methodological models of readers' consciousness, as well as when creating effective mechanisms against destructive tendencies in the field of verbal-based culture.
As a conclusion, we can determine the unmasking of leading strategies aimed at the destruction of current personal values. These strategies may include the strategy of the overinformation of readers’ consciousness, the churning of adequate reception of consciousness, the "the quick" and “the dead” mixing in the perception of the reality and others. It is the implementation of these destructive strategies that can be considered as one of the causes of the cultural disaster in Russia in the early 20th century.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Silver Age Russian literature of the XIX–XX centuries</kwd><kwd>destructiveness</kwd><kwd>the strategy of Russian literature</kwd><kwd>the reader's consciousness</kwd><kwd>the danger of literature</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Silver Age Russian literature of the XIX–XX centuries</kwd><kwd>destructiveness</kwd><kwd>the strategy of Russian literature</kwd><kwd>the reader's consciousness</kwd><kwd>the danger of literature</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Almazov,&amp;nbsp;А. Secret Confession of the Orthodox Eastern Church: Experience of Recent History. Vol.&amp;nbsp;1: General charter of committing of confession. Odessa, 1884.</mixed-citation></ref><ref id="B2"><mixed-citation>Bataille,&amp;nbsp;G. Literature and Evil. Moscow: ed. by Moscow University, 1994. 168&amp;nbsp;p.</mixed-citation></ref><ref id="B3"><mixed-citation>Belyi,&amp;nbsp;А. Beginning of the Century. Moscow: Khudozhestvennaya literatura, 1990. 687&amp;nbsp;p.</mixed-citation></ref><ref id="B4"><mixed-citation>Veresaev,&amp;nbsp;V.&amp;nbsp;V. Living Life: About Dostoevsky and L.&amp;nbsp;Tolstoy: Apollo and Dionysus (about Nietzsche). Moscow: Sovremennik, 1978. 381&amp;nbsp;p.</mixed-citation></ref><ref id="B5"><mixed-citation>Hegel,&amp;nbsp;G.&amp;nbsp;W.&amp;nbsp;F. Works in 8&amp;nbsp;vol. Vol.&amp;nbsp;3. Moscow: ed. by USSR Academy of Sciences, 1956. 488&amp;nbsp;p.</mixed-citation></ref><ref id="B6"><mixed-citation>Evreinov,&amp;nbsp;N. The Theater Itself. St.&amp;nbsp;Petersburg, 1913.</mixed-citation></ref><ref id="B7"><mixed-citation>Ermolenko,&amp;nbsp;S.&amp;nbsp;I. M.&amp;nbsp;Y.&amp;nbsp;Lermontov&amp;rsquo;s Lyrics: Genre Processes. Yekaterinburg: ed. by Ural Pedagogical University, 1996. 420&amp;nbsp;p.</mixed-citation></ref><ref id="B8"><mixed-citation>Isupov,&amp;nbsp;К.&amp;nbsp;G. Russian Philosophical Thanatology. Voprosy filosofii. №&amp;nbsp;3 (1994). Pp.&amp;nbsp;106-122. URL: http://philosophy.ru/library/vopros/27.html (date of access: June&amp;nbsp;20, 2014).</mixed-citation></ref><ref id="B9"><mixed-citation>Kant,&amp;nbsp;Im. Foundations of the Metaphysics of Morals. Works in 6&amp;nbsp;vol., Vol.&amp;nbsp;4(I). Moscow: Mysl&amp;rsquo;, 1965. Pp.&amp;nbsp;211-310.</mixed-citation></ref><ref id="B10"><mixed-citation>Kolesnikova,&amp;nbsp;L.&amp;nbsp;А. Death Spaces in Measurement of Loneliness. Figuries of Thanatos: Art of Dying. St.&amp;nbsp;Petersburg: ed. by Petersburg University, 1998. Pp.&amp;nbsp;95-102.</mixed-citation></ref><ref id="B11"><mixed-citation>Leing,&amp;nbsp;R.&amp;nbsp;J. The Divided Self. Moscow: Belyi krolik, 1995. 352&amp;nbsp;p.</mixed-citation></ref><ref id="B12"><mixed-citation>Leont&amp;rsquo;ev,&amp;nbsp;А.&amp;nbsp;N. Selected Works in 2&amp;nbsp;vol. Vol.&amp;nbsp;1. Moscow: Prosveschenie, 1983. 398&amp;nbsp;p.</mixed-citation></ref><ref id="B13"><mixed-citation>Ortega&amp;nbsp;y&amp;nbsp;Gasset,&amp;nbsp;J. The Revolt of the Masses. Moscow: АSТ, 2004. 452&amp;nbsp;p.</mixed-citation></ref><ref id="B14"><mixed-citation>Prishvin,&amp;nbsp;М.&amp;nbsp;М. Works in 8&amp;nbsp;vol. Vol.&amp;nbsp;8. Moscow: Khudozhestvennaya literatura, 1986. 386&amp;nbsp;p.</mixed-citation></ref><ref id="B15"><mixed-citation>Uvarov,&amp;nbsp;M.&amp;nbsp;S. Architectonics of Confessional Words. St.&amp;nbsp;Petersburg: Aleteya, 1998. 245&amp;nbsp;p.</mixed-citation></ref><ref id="B16"><mixed-citation>Jaspers,&amp;nbsp;K. The Origins of the Story and Its Purpose. Meaning and Purpose of History. Moscow: Politizdat, 1991. Pp.&amp;nbsp;28-286.</mixed-citation></ref></ref-list></back></article>