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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2408-932X</journal-id><journal-title-group><journal-title>Research Result. Social Studies and Humanities</journal-title></journal-title-group><issn pub-type="epub">2408-932X</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413 /2408-932X-2014-1-1-54-62</article-id><article-id pub-id-type="publisher-id">193</article-id><article-categories><subj-group subj-group-type="heading"><subject>RESEARCHES</subject></subj-group></article-categories><title-group><article-title>THE MODERN RENAISSANCE OF RUSSIAN NATIONAL SONG: THE CULTURAL ANALYSIS</article-title><trans-title-group xml:lang="en"><trans-title>THE MODERN RENAISSANCE OF RUSSIAN NATIONAL SONG: THE CULTURAL ANALYSIS</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Zhirov</surname><given-names>Mikhail S.</given-names></name><name xml:lang="en"><surname>Zhirov</surname><given-names>Mikhail S.</given-names></name></name-alternatives><email>zhirov@bsu.edu.ru</email></contrib><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Alekseeva</surname><given-names>Olga I.</given-names></name><name xml:lang="en"><surname>Alekseeva</surname><given-names>Olga I.</given-names></name></name-alternatives><email>alex-amritam@mail.ru</email></contrib></contrib-group><pub-date pub-type="epub"><year>2014</year></pub-date><volume>1</volume><issue>1</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/humanities/2014/1/Zhirov_Alekseeva.pdf" /><abstract xml:lang="ru"><p>The paper under study dwells on the thesis that Russian folk song is a timeless phenomenon of folk art and culture, integrating a centuries-old spiritual and practical experience of  people,  their worldview , system of values , norms and patterns of life.
The methodological work of the researchers was done within the framework of the interdisciplinary analysis that describes historical, cultural and social stratification character of Russian folk songs.
The result of the research demonstrates that Russian folk songs, retaining their archaic nature, live in an actual historicity. They reflect not only the past in its most stable properties, but also modernity, which undoubtedly puts Russian folk songs in a series of timeless extraordinary phenomena of folk culture.
The output can be applied by students and lecturers of educational institutions specializing in culture and art, experts and practitioners of social and cultural activities, projects and programs of regional socio-cultural development.
Among the main conclusions are: in the context of modern civilization Russian folk songs play a dominant role in the transformation of socio-cultural space in the following aspects: a source of knowledge of human existence, people, and ethnic group throughout the history of their existence; a unique method of forming a national identity; an artistic and aesthetic phenomenon, organically combined several kinds of folk art; multifunctional communicative means.</p></abstract><trans-abstract xml:lang="en"><p>The paper under study dwells on the thesis that Russian folk song is a timeless phenomenon of folk art and culture, integrating a centuries-old spiritual and practical experience of  people,  their worldview , system of values , norms and patterns of life.
The methodological work of the researchers was done within the framework of the interdisciplinary analysis that describes historical, cultural and social stratification character of Russian folk songs.
The result of the research demonstrates that Russian folk songs, retaining their archaic nature, live in an actual historicity. They reflect not only the past in its most stable properties, but also modernity, which undoubtedly puts Russian folk songs in a series of timeless extraordinary phenomena of folk culture.
The output can be applied by students and lecturers of educational institutions specializing in culture and art, experts and practitioners of social and cultural activities, projects and programs of regional socio-cultural development.
Among the main conclusions are: in the context of modern civilization Russian folk songs play a dominant role in the transformation of socio-cultural space in the following aspects: a source of knowledge of human existence, people, and ethnic group throughout the history of their existence; a unique method of forming a national identity; an artistic and aesthetic phenomenon, organically combined several kinds of folk art; multifunctional communicative means.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>folk song</kwd><kwd>folk music</kwd><kwd>folk tradition</kwd><kwd>spiritual values</kwd><kwd>ethnocultural environment</kwd><kwd>socio-cultural concept</kwd><kwd>rebirth</kwd><kwd>folk art</kwd></kwd-group><kwd-group xml:lang="en"><kwd>folk song</kwd><kwd>folk music</kwd><kwd>folk tradition</kwd><kwd>spiritual values</kwd><kwd>ethnocultural environment</kwd><kwd>socio-cultural concept</kwd><kwd>rebirth</kwd><kwd>folk art</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Belinsky&amp;nbsp;V.G. Sobranie sochineni: v 9 tomah. T 4. Stat&amp;rsquo;i, retsenzii i zametki, mart 1841 &amp;ndash; mart 1842 [Selected Works: in 9&amp;nbsp;v. V.&amp;nbsp;4. Articles, Reviews and Letters, March 1841 &amp;ndash; March 1842. Moscow: Khudozhestvennaya Literatura, 1979. 654&amp;nbsp;p.</mixed-citation></ref><ref id="B2"><mixed-citation>Grigoriev&amp;nbsp;A.A. Russkie narodnye pesni s ih poeticheskoy i muzikalnoy storony // Grigoriev A.A. Estetika i kritika [Russian Folk Songs From Their Poetic and Musical Side // Aesthetics and Critics]. Moscow, 1980. pp. 312-358.</mixed-citation></ref><ref id="B3"><mixed-citation>Zhirov&amp;nbsp;M.S. Narodnaya khudozhestvennaya kultura Belgorodchiny:ucheb. posobie [Folk Arts Culture of Belgorod Region: Learning Guide]. Belgorod, 2000. 267 p.</mixed-citation></ref><ref id="B4"><mixed-citation>Zhirov M.S. Regionalnaya sistema sokhraneniya i razvitiya tradiciy narodnoy khudozhestvennoy kultury: ucheb. posobie [Regional System of&amp;nbsp; Keeping and Developing Folk Art Culture Traditions: Learning Guide]. Belgorod: Publishing House of BelSU, 2003. 310 p.</mixed-citation></ref><ref id="B5"><mixed-citation>Zhirov&amp;nbsp;M.S., Alekseeva&amp;nbsp;O.I. Russkaya narodnaya pesnya: istoriya i sovremennost. Monografiya [Russian Folk Song: History and Contemporaneity. Monograph]. Belgorod: Publishing House of BelSU, 2007. 164&amp;nbsp;p.</mixed-citation></ref><ref id="B6"><mixed-citation>Zemtsovsky I.I. O tvorcheskoy prirode folklore // Stilevye tendencii sovetskoy muziki 1960-1970 godov [About the Creative Nature of&amp;nbsp; Folklore // Style Tendencies of 1960&amp;rsquo;s-1970&amp;rsquo;s Soviet Music]. Moscow, 1979. pp.&amp;nbsp;137&amp;ndash;147.</mixed-citation></ref><ref id="B7"><mixed-citation>Kargin A.S. Narodnoe khudozhestvennoye tvorchestvo: struktura, formy, svoystva [Folk Arts: Structure, Forms, Characteristics]. Moscow: Muzyka, 1990. 144 p.</mixed-citation></ref><ref id="B8"><mixed-citation>Radishchev&amp;nbsp;A.N. Izbrannye sochineniya [Selected Works]. Moscow: Goslitizdat,&amp;nbsp; 1952. 711&amp;nbsp;p.</mixed-citation></ref><ref id="B9"><mixed-citation>Sementsov V.S. Problema translyatsii tradicionnoy kulturi na primere sudby Bhagavadgity// Vostok &amp;ndash; Zapad. Issledovaniya. Perevody. Publikatsii [Problem of Translation of Traditional Culture: the Life of Bhagavadgita // East &amp;ndash; West. Analyses. Translations. Publications]. Moscow: Nauka, 1988. pp. 8-12.</mixed-citation></ref></ref-list></back></article>