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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2408-932X</journal-id><journal-title-group><journal-title>Research Result. Social Studies and Humanities</journal-title></journal-title-group><issn pub-type="epub">2408-932X</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413/2408-932X-2020-6-1-0-7</article-id><article-id pub-id-type="publisher-id">2019</article-id><article-categories><subj-group subj-group-type="heading"><subject>RESEARCHES</subject></subj-group></article-categories><title-group><article-title>&lt;strong&gt;Synthesis: to the history and literary and philosophical contexts of the concept&lt;/strong&gt;</article-title><trans-title-group xml:lang="en"><trans-title>&lt;strong&gt;Synthesis: to the history and literary and philosophical contexts of the concept&lt;/strong&gt;</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Adygezalova</surname><given-names>Malika N.</given-names></name><name xml:lang="en"><surname>Adygezalova</surname><given-names>Malika N.</given-names></name></name-alternatives><email>adimelek@mail.ru</email></contrib></contrib-group><pub-date pub-type="epub"><year>2020</year></pub-date><volume>6</volume><issue>1</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/humanities/2020/1/6-1-07.pdf" /><abstract xml:lang="ru"><p>The article is devoted to the history of the coming into being of the term &amp;ldquo;synthesis&amp;rdquo;, its typological characteristics, the contribution of the scientists, researchers, litterateurs, poets and writers into this issue&amp;rsquo;s investigation. Particular attention is paid to the use of this term in art, where among the varieties of synthesis we distinguish between genre synthesis, artistic synthesis, universal synthesis, west-east synthesis and the synthesis of literary traditions. The author tries to reveal the synthesis of literary traditions.&amp;nbsp;</p></abstract><trans-abstract xml:lang="en"><p>The article is devoted to the history of the coming into being of the term &amp;ldquo;synthesis&amp;rdquo;, its typological characteristics, the contribution of the scientists, researchers, litterateurs, poets and writers into this issue&amp;rsquo;s investigation. Particular attention is paid to the use of this term in art, where among the varieties of synthesis we distinguish between genre synthesis, artistic synthesis, universal synthesis, west-east synthesis and the synthesis of literary traditions. The author tries to reveal the synthesis of literary traditions.&amp;nbsp;</p></trans-abstract><kwd-group xml:lang="ru"><kwd>synthesis</kwd><kwd>types of synthesis</kwd><kwd>synchronic aspect</kwd><kwd>diachronic aspect</kwd><kwd>syncretism</kwd></kwd-group><kwd-group xml:lang="en"><kwd>synthesis</kwd><kwd>types of synthesis</kwd><kwd>synchronic aspect</kwd><kwd>diachronic aspect</kwd><kwd>syncretism</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Amineeva,&amp;nbsp;V.R. (2014), Teoreticheskie osnovy sravnitelnogo i sopostavitelnogo literaturovedeniya [Theoretical bases of comparative and contrastive literary criticism], Kazan [Online] URL: http://www.twirpx.com (date of access: November 28, 2018) (in Russ.).</mixed-citation></ref><ref id="B2"><mixed-citation>Andreev,&amp;nbsp;L.G. 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