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<article article-type="research-article" dtd-version="1.2" xml:lang="ru" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"><front><journal-meta><journal-id journal-id-type="issn">2408-932X</journal-id><journal-title-group><journal-title>Research Result. Social Studies and Humanities</journal-title></journal-title-group><issn pub-type="epub">2408-932X</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.18413/2408-932X-2016-2-1-83-86</article-id><article-id pub-id-type="publisher-id">223</article-id><article-categories><subj-group subj-group-type="heading"><subject>MISCCELLANEOUS: MESSAGES, DISCUSSIONS, REVIEWS</subject></subj-group></article-categories><title-group><article-title>PHENOMENON OF FOLK MUSIC  (PHILOSOPHICAL AND CULTURAL ASPECTS)</article-title><trans-title-group xml:lang="en"><trans-title>PHENOMENON OF FOLK MUSIC  (PHILOSOPHICAL AND CULTURAL ASPECTS)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Sarajeva</surname><given-names>Lubov P.</given-names></name><name xml:lang="en"><surname>Sarajeva</surname><given-names>Lubov P.</given-names></name></name-alternatives><email>knarhor7@mail.ru</email></contrib></contrib-group><pub-date pub-type="epub"><year>2016</year></pub-date><volume>2</volume><issue>1</issue><fpage>0</fpage><lpage>0</lpage><self-uri content-type="pdf" xlink:href="/media/humanities/2016/1/Saraeva_2.pdf" /><abstract xml:lang="ru"><p>In complexity of the ethnological, folkloristic, phenomenological, system, and psychological approaches attracting "unconscious" the musical folklore finds its sociocultural characteristics. It promotes understanding of ethnocultural, mental bases, and comprehension of strong-willed, moral, esthetic and mental abilities of the person. The view of musical folklore as on the reality phenomenon in the ratio of the art and inartistic beginnings in it corresponds to its nature which is initially connected with reality uncountable bonds. It is about studying of new aspects of social and cultural relevance of musical folklore, about deepening, a specification and development of cumulative knowledge of it, musical thinking and musical culture as the specific sociocultural phenomena.</p></abstract><trans-abstract xml:lang="en"><p>In complexity of the ethnological, folkloristic, phenomenological, system, and psychological approaches attracting "unconscious" the musical folklore finds its sociocultural characteristics. It promotes understanding of ethnocultural, mental bases, and comprehension of strong-willed, moral, esthetic and mental abilities of the person. The view of musical folklore as on the reality phenomenon in the ratio of the art and inartistic beginnings in it corresponds to its nature which is initially connected with reality uncountable bonds. It is about studying of new aspects of social and cultural relevance of musical folklore, about deepening, a specification and development of cumulative knowledge of it, musical thinking and musical culture as the specific sociocultural phenomena.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>folk music</kwd><kwd>communication links</kwd><kwd>the mechanisms of behavioral activity</kwd><kwd>ritual communication</kwd><kwd>artistic communication</kwd></kwd-group><kwd-group xml:lang="en"><kwd>folk music</kwd><kwd>communication links</kwd><kwd>the mechanisms of behavioral activity</kwd><kwd>ritual communication</kwd><kwd>artistic communication</kwd></kwd-group></article-meta></front><back><ref-list><title>Список литературы</title><ref id="B1"><mixed-citation>Berdyaev,&amp;nbsp;N. 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