2408-932XResearch Result. Social Studies and Humanities2408-932X10.18413/2408-932X-2021-7-4-0-42561RESEARCHES<strong>The mental foundations of bodily images creation in primitive art</strong><strong>The mental foundations of bodily images creation in primitive art</strong>MolchanovaLyudmila A.MolchanovaLyudmila A.lusmolchan@mail.ruUdmurt State University20217400

The paper considers the motivating reasons for the emergence of artistic and creative human activity in the course of anthropogenesis. The object of the study was the social environment that formed the images of paleo art, first mental images, and then the images embodied in sculpture and cave painting. The work is undertaken in order to identify the psycho-physiological and social prerequisites for the emergence of these images. The article analyzes the mental foundations of creativity and the psycho-physiological &quot;mechanism&quot; of the creative act itself. To identify the socio-historical prerequisites of image-making, the stages of the formation of a dual-generic organization from a primitive herd are considered in detail. As a result, the reason for the emergence of a sexual taboo was revealed, which eventually served as an impetus for the emergence of dominant images of art&nbsp;&ndash; a woman and a beast. The approach to the study of these images and the reasons for their appearance is new in this work. On the basis of hypothetical modeling, the social environment of a primitive community is recreated, in which a taboo arises at a certain stage. It was the system of prohibitions that caused the emergence of morality and conscious creativity. The curbing of animal instincts &quot;awakened the imagination&quot; and, in the end, was sublimated into images of art.

The paper considers the motivating reasons for the emergence of artistic and creative human activity in the course of anthropogenesis. The object of the study was the social environment that formed the images of paleo art, first mental images, and then the images embodied in sculpture and cave painting. The work is undertaken in order to identify the psycho-physiological and social prerequisites for the emergence of these images. The article analyzes the mental foundations of creativity and the psycho-physiological &quot;mechanism&quot; of the creative act itself. To identify the socio-historical prerequisites of image-making, the stages of the formation of a dual-generic organization from a primitive herd are considered in detail. As a result, the reason for the emergence of a sexual taboo was revealed, which eventually served as an impetus for the emergence of dominant images of art&nbsp;&ndash; a woman and a beast. The approach to the study of these images and the reasons for their appearance is new in this work. On the basis of hypothetical modeling, the social environment of a primitive community is recreated, in which a taboo arises at a certain stage. It was the system of prohibitions that caused the emergence of morality and conscious creativity. The curbing of animal instincts &quot;awakened the imagination&quot; and, in the end, was sublimated into images of art.

primitive artmentalitybody imagetaboosublimationsymbolarchetypeprimitive artmentalitybody imagetaboosublimationsymbolarchetypeСписок литературыBorodai,&nbsp;Yu.&nbsp;M. (1996), Erotika, smert&#39;, tabu: tragediya chelovecheskogo soznaniya [Eroticism, death, taboo: the tragedy of the human], Gnosis, Russian Phenomenological SocietyPubl., Moscow, Russia (in Russ.).Etnologicheskie issledovaniya za rubezhom (1973) [Ethnological research abroad], in Bromley,&nbsp;Yu.&nbsp;V. (ed.), Nauka Publ., Moscow, Russia (in Russ.).Fatykhov,&nbsp;S.&nbsp;G. (2009), Novaya arkheologiya matriarkhata. Sotsiokul&#39;turny analiz reliktov [The new archeology of the matriarchy. Socio-cultural analysis of relics], CHGKI Publ., Yekaterinburg, Russia (in Russ.).Freud,&nbsp;Z. (1977), Totem i tabu [Totem and taboo], Alethea Publ., Moscow, Russia (in Russ.).Freudenberg,&nbsp;O.&nbsp;M. (1998), Mif i literatura v drevnosti [Myth and literature in antiquity], &ldquo;Oriental Literature&rdquo; Publ., Russian Academy of Sciences, Moscow, Russia (in Russ.).Jung,&nbsp;K. G. (1996), Problemy dushi nashego vremeni [Problems of the soul of our time], Progress Publ, Moscow, Russia (in Russ.).Kutsenkov,&nbsp;P.&nbsp;A. (2007), Psikhologiya pervobytnogo i traditsionnogo iskusstva [Psychology of primitive and traditional art], Progress-tradition Publ., Moscow, Russia (in Russ.).Lobodanov,&nbsp;A.&nbsp;P. (2013), Semiotika iskusstva: istoriya i ontologiya [Semiotics of art: history and ontology], 2nd edition, Moscow University Press Publ., Moscow, Russia (in Russ.).Markov,&nbsp;A. (2014), Evolyutsiya cheloveka. Kn. 1. Obez&#39;yany, kosti i geny [Human evolution. Book 1. Monkeys, bones and genes], AST: CORPUS Publ., Moscow, Russia (in Russ.).Porshnev,&nbsp;B.&nbsp;F. (1974), O nachale chelovecheskoj istorii (problemy paleopsikhologii) [On the beginning of human history (problems of paleopsychology)], Mysl&#39;, Moscow, Russia (in Russ.).Postmodernizm. Entsiklopediya (2001) [Postmodernism. Encyclopedia], in A.&nbsp;A.&nbsp;Gritsanov, M.&nbsp;A.&nbsp;Mozheyko (eds.), Interpresservice; Book House Publ., Minsk, Belarus&#39; (in Russ.).Semenov,&nbsp;V.&nbsp;A. (2008), Pervobytnoe iskusstvo: Kamennyj vek. Bronzovyj vek [Primitive art: The Stone Age. The Bronze Age.], Azbuka-klassika Publ., St.&nbsp;Petersburg, Russia (in Russ.).Semenov,&nbsp;Yu.&nbsp;I. (1966), Kak vozniklo chelovechestvo [How humanity arose], &ldquo;Science&rdquo; Publ., Moscow, Russia (in Russ.).Semenov,&nbsp;Yu.&nbsp;I. (1989), Na zare chelovecheskoj istorii [At the dawn of human history], Mysl&#39;, Moscow, Russia (in Russ.).Sher,&nbsp;Ya.&nbsp;A., Vishnyatsky,&nbsp;L.&nbsp;B., Blednova,&nbsp;N.&nbsp;S. (2004), Proiskhozhdenie znakovogo povedeniya [The origin of sign behavior], Scientific World Publ., Moscow, Russia (in Russ.).Ten,&nbsp;V.&nbsp;V. (2011), Dialekticheskie nachala antropoevolyutsii [Dialectical principles of anthropoevolution], Insight Publ., St.&nbsp;Petersburg, Russia (in Russ.).Turner,&nbsp;V.&nbsp;U. (2007), &ldquo;The problem of color classification in primitive cultures (based on the material of the Ndembu ritual&rdquo;, Iskusstvometriya: metody tochnyh nauk i semiotiki], LKI Publ., Russia (in Russ.).Vygotsky,&nbsp;L.&nbsp;S. (1986), Psikhologiya iskusstva [Psychology of art], Iskusstvo Publ., Moscow, Russia (in Russ.).Vygotsky,&nbsp;L.&nbsp;S., Luria,&nbsp;A.&nbsp;R. (1993), Etyudy po istorii povedeniya: Obez&#39;yana. Primitiv. Rebyonok [Etudes on the history of behavior: Monkey. Primitive. Child], Pedagogika-press Publ., Moscow, Russia (in Russ.).&nbsp;