2408-932XResearch Result. Social Studies and Humanities2408-932X10.18413/2408-932X-2025-11-1-0-73758RESEARCHES<strong>Iegor Reznikoff: materials for biography and creative work</strong><br /> &nbsp;<br /> &nbsp;<strong>Iegor Reznikoff: materials for biography and creative work</strong><br /> &nbsp;<br /> &nbsp;AgafonovIlya S.AgafonovIlya S.ilya.agafonov.2016@inbox.ruNagibinaNadezhda P.NagibinaNadezhda P.nadya12354@yandex.ruPerm State Institute of Culture202511100

The article presents the first intermediate results of the research into the biography, scientific activity and creative heritage of the Russian-French musicologist, Professor Iegor Danilovich Reznikoff, who made a significant contribution to the study and popularization of ancient church singing. The relevance of the research topic is that the widely known in the West results of Iegor Reznikoff&rsquo;s scientific activity in the field of development of church art in Russian scientific literature have not yet been updated. The authors of the article attempt to draw attention to the figure of the honored scientist, musician and teacher, a descendant of Russian emigrants, to highlight some of the stages of his life and research activities in the field of ancient Christian singing.

The article presents the first intermediate results of the research into the biography, scientific activity and creative heritage of the Russian-French musicologist, Professor Iegor Danilovich Reznikoff, who made a significant contribution to the study and popularization of ancient church singing. The relevance of the research topic is that the widely known in the West results of Iegor Reznikoff&rsquo;s scientific activity in the field of development of church art in Russian scientific literature have not yet been updated. The authors of the article attempt to draw attention to the figure of the honored scientist, musician and teacher, a descendant of Russian emigrants, to highlight some of the stages of his life and research activities in the field of ancient Christian singing.

church singinghistory of church singingGregorian chantIegor Danilovich Reznikoffsacred musicchoral church musicancient singing artUniversity of Western Parischurch singinghistory of church singingGregorian chantIegor Danilovich Reznikoffsacred musicchoral church musicancient singing artUniversity of Western ParisСписок литературыBolgov,&nbsp;N.&nbsp;N. (2015), &ldquo;Late Antiquity: New Methodological Approaches to a Transitional Historical Era&rdquo;, Research Result. Social Studies and Humanities, 1&nbsp;(4), 17-19 (in Russ.). DOI:&nbsp;10.18413/2408-932X-2015-1-4-17-19;&nbsp;EDN:&nbsp;VPUXJLGallika: Elektronnaya biblioteka [Gallica: Electronic library] [Online], available at: http://www.who.int/whr/2007/whr07_ru.pdf (Accessed 15 March 2025).Gordeeva,&nbsp;T.&nbsp;Yu. (2016), &ldquo;The Singing Culture of Gregorian Chant and the Problems of the &lsquo;Ineffable&rsquo;&rdquo;, Bulletin of Kazan State University of Culture and Arts, 2, 92-97 (in Russ.). EDN:&nbsp;WIQQBVEfimova,&nbsp;N.&nbsp;I. (2004), Rannekhristianskoye peniye v Zapadnoy Evrope VIII&ndash;X&nbsp;stoletiy: k probleme evolyutsii modalnoy sistemy Srednevekovya [Early Christian singing in Western Europe in the 8th-10th centuries: towards the problem of the evolution of the modal system of the Middle Ages], Moscow University Publishing House, Moscow, Russia (in Russ.). ISBN:&nbsp;5-211-06022-9;&nbsp;EDN:&nbsp;QXOSRVNazarov,&nbsp;M. and Kharlamenko,&nbsp;D. Zabytyy podvig sovetskikh voyennoplennykh [The forgotten feat of Soviet prisoners of war] [Online], available at: https://vk.com/@-215303636-zabytyi-podvig-sovetskih-voennoplennyh-i-russkih-emigrantov (Accessed 15 March 2025) (in Russ.).Payson, N.&nbsp;K. (2013), &ldquo;Constructive units in Gregorian chant (ontological aspect)&rdquo;, The world of science, culture and education, 1(38), 219-221 (in Russ.). EDN:&nbsp;PXVBGDPekelis,&nbsp;E.&nbsp;M. (2013), K istorii yevropeyskoy muzykalnoy intonatsionnosti. CH. 2. Gregorianskiy khoral [On the history of European musical intonation. Part 2. Gregorian chant], Musyka, Moscow, Russia (in Russ.).Reznikoff,&nbsp;I. and Dauvois,&nbsp;M. (1988), &ldquo;The sound dimension of decorated caves&rdquo;, Bulletin de la Soci&eacute;t&eacute; pr&eacute;historique fran&ccedil;aise [Bulletin of the French Society for Prehistoric Research], 85&nbsp;(8), 238-246 (in French).Saraeva,&nbsp;L.&nbsp;P. (2016), &ldquo;The phenomenon of musical folklore (philosophical and cultural aspects)&rdquo;, Research Result. Social Studies and Humanities, 2&nbsp;(1), 83-86 (in Russ.). DOI:&nbsp;10.18413/2408-932X-2016-2-1-83-86;&nbsp;EDN:&nbsp;VVHDIJFedotova,&nbsp;V. and Razlomova,&nbsp;Yu. (2003), &ldquo;On the methods of analysis of medieval chorale&rdquo;, Sator tenet opera rotas: Yuriy Nikolayevich Kholopov i yego nauch. shk.: (K 70-letiyu so dnya rozhdeniya) [Sator tenet opera rotas: Yuri Nikolaevich Kholopov and his scientific school: (On the 70th anniversary of his birth): Collection of articles], in Tsenova,&nbsp;V.&nbsp;S. (ed.-comp.), Publishing House of Moscow State Conservatory, Moscow, 38-47 (in Russ.).